Snipers Valley

Young Bundeswehr soldiers Tom and Charly are stationed in Kosovo with the KFOR peacekeeping force. Their mission is to secure peace. Although the brutal war between the enemy Serbs and Albanians is officially over, the hatred between people continues to smoulder. When Tom and Charly rescue the young Serbian Mirjana from the fatal shot of the young sniper Durcan, they get caught between all fronts. They lose their professional distance due to the resulting closeness to Mirjana - who has to learn that her father was a war criminal - but also to Durcan - whose entire family was wiped out. Soon they are entangled in a conflict about guilt, manipulation, love and revenge...

Dialogues des Carmélites

Performed at the Théâtre Graslin in Nantes in 2013. Francis Poulenc (1899-1963): Dialogues des Carmélites, opera in 3 acts and 12 scenes from a libretto by Emmet Lavery.

Scarlet Week

After a weekend of dancing and camping on a recreation island near the city, a young factory worker decides to stay and cut work for a day. Walking around the now deserted island, he meets a beautiful woman camping alone and sunbathing in the nude on the beach. A hot romance flares up between the worker and the more upper-class married lady, lasting through the light-filled nights of the whole summer week until the woman's much older husband returns to the island the next weekend.

The Lockpicker

A teenage thief tries to leave town to escape the violence that threatens him and he people he loves.

Giordano: Andrea Chernier

“Kaufmann is performing the title role for the first time, and it’s hard to imagine him bettered. His striking looks make him very much the Romantic and romanticised outsider of Giordano’s vision. His voice, with its dark, liquid tone, soars through the music with refined ease and intensity: all those grand declarations of passion, whether political or erotic, hit home with terrific immediacy.” – The Guardian Presented in its Covent Garden premiere in January 2015, this staging – directed by David McVicar and conducted by the Royal Opera’s Music Director, Sir Antonio Pappano – shows a bloody tricolour daubed with the words “Even Plato banned poets from his Republic” – written by Robespierre on the death warrant of the historical Chénier, a poet and journalist sent to the guillotine in 1794 for criticising France’s post-revolutionary government.

Joseph and Mary

When loved ones are murdered, Elijah’s beliefs are compromised as he considers revenge. But a visit with Joseph and Mary may offer a new perspective.

A Mighty Nice Man

Patricia Highsmith's haunting story of a day in a young girl's life when a kind stranger comes to town.

Gianni Schicchi

Alessandro Corbelli takes the title role in Annabel Arden's whirlwind production of Puccini's compact opera, in which the scheming Gianni Schicchi retrieves for himself the spoils of a disinherited family to pave the way for his daughter to marry her love.

Verdi: Otello

Tony Award winner Bartlett Sher’s bold new production probes the psychological underpinnings of Verdi’s dynamic setting of Shakespeare’s great tragedy. At the helm of this performance is riveting conductor Yannick Nézet-Séguin, who brings out all the cascading emotions in Verdi’s turbulent score. Aleksandrs Antonenko is the Moor Otello, the triumphant general of the Venetian army who is ultimately brought down by the sly insinuations of his friend Iago (Željko Lučić). Sonya Yoncheva continues to win fans as Desdemona, Otello’s faithful and long-suffering wife. With Günther Groissböck as Lodovico and Dimitri Pittas as Cassio.

Frankenstein: A Love Story

Fascinated by the idea of ​​being able to create life through science, a count produces a monster from corpses. Does the creature have a soul?

Don Pasquale

This John Dexter production, designed by Desmond Heeley, was a parting gift to the great American soprano Beverly Sills, who bid farewell to the Met as Norina, the smart young widow at the center of Donizetti’s comedy. The sensational Alfredo Kraus sings her beloved Ernesto. Håkan Hagegård, in his Met debut role and season, is Dr. Malatesta, the man who helps the young couple trick the crusty old bachelor of the title (Gabriel Bacquier at his comical best) into a fake marriage. This being a Donizetti comedy, it all turns out perfectly well at the end—and getting there is pure operatic fun.

Il Trovatore

The Count Di Luna believes that his younger brother was murdered years before by a vengeful gypsy but still hopes that he may be alive. When he attempts to court the beautiful Leonora, he is enraged to discover that she has a lover – the troubadour, Manrico. Manrico and the Count duel, and afterwards Manrico reveals to Azucena, the woman he believes to be his mother, that when he had the opportunity to kill the Count he felt something holding him back.

Al Medina

Hannah and Her Sisters

Between two Thanksgivings, Hannah's husband falls in love with her sister Lee, while her hypochondriac ex-husband rekindles his relationship with her sister Holly.

Paradise Alley

An elderly motion picture artist drifts through a tenement block, devising a plan to change the lives of its dissatisfied residents with a dusting of Hollywood magic!

Gounod: Faust

Tenor Jonas Kaufmann is riveting as the title character of Gounod’s popular opera, seen in this Live in HD presentation of Des McAnuff’s thrilling 2011 production that places the mythical and timeless story in an early 20th-century setting. René Pape as Méphistophélès is menacing and elegant in equal measure, and Marina Poplavskaya delivers a searingly intense portrayal of the innocent Marguerite. Russell Braun as her brother, Valentin, shines in his Act II aria. On the podium, Yannick Nézet-Séguin brings out all the lyricism and drama of Gounod’s score.